How might sound be used to translate nonhuman intelligences and systems into understandable forms? Speculative visions and imaginative states for the extension of the sonic arts into them realm of the Aerocene.

Aero-Acoustic Emissions and Perception

Samuel Hertz, in this contribution, shares insights into his engagement with the works of two very distinct but nevertheless related forms of artistic practice: The compositions of experimental musician and installation artist Maryanne Amacher as well as the longterm exploratory project Aerocene by Tomás Saraceno. By extending to the reader five invitations, Hertz elaborates on the convergence between aerial and acoustic aesthetic concepts.